Tuesday, December 7, 2010

Sep 2, 4, Chopin's Etude diagram in 10 years

By: Diego-
(Brazil)

Questions: Hi, I some Chopin Etude, schematically describes the third 10, fourth measure is want I think. I play it up already, but only some problem occurs in this corridor. Exactly how I sound to hear expectations. Are not leap and actually large distance is not, despite some notes become lost, arpeggios and whole passage of things like is weak.

Thank you very much.

Albert reply: key rotation in this passage is rather pivot. You must index finger, pivot points, and it held lead to three fingers. This is another motive, that is indicated by the voice of another.

Than a sharp line G f sharp, E and D sharp c-sharp — in all note fingers two to play —, is the motive of the opening of the rhythmic augmentation sixteenths. Etude, begins below. And this sounds must dynamically shaped. In this way, we (played by two fingers), motivate motivation (2-3, 2, 2-3 2-3), motive (arpeggios) in May.

Motives of each Member, in addition to the dynamic formation joints must be. Released the instant hand then rather than the 2-3 the practice the wrist upstroke motive itself.

Legato in the arpeggios, defamatory, you need to play. It is not therefore, between leap finger 1 and 2, on possibility of music. Note to include a long passage to conceptualize and with the whole phrase belongs to show literal Legato I include Chopin slander always, without extending the symbol. Prelude D major, diagram of 28 is no. 5, a perfect example: depending on if you cannot connect and extend the width of even includes leap virtually whole works slander one] in written.

Lift the arpeggio between hand and slowly, the exaggerated practice. No practice pedal review, and verify that emphasize the motive of the 2-3. When playing tempo must always listen to it, and hear practical shape slowly in your mind's ear, but some of the detail becomes unclear. Tempo in playing with this method, and so can safely.

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