??: Brahms Capriccio bar 5-7 in D minor voice during play right-handed Legato octave (Melody) and should be pressed. To create a smooth Legato effect, Presto energico tempo, pedal without?? you in advance for your advice thanks.
Albert reply: diagram has mentioned the opening of 116, no. 1.
Highlighting the related section red I. To use the pedal I first of all, in this passage, to ensure appropriate and need to point out; I don't think this passage any sustaining pedal without convincing sound will be.
However, without it, pedal most of the time to practice it is not recommended. Mozart student Johann Nepomuk Hummel (1778 - 1850), to be able to cover the problem should be solved with pedal, finger, known as S ΓΌ ndendecker (SIN coverer). This passage is one such problem.
To deal with this passage, the Lord has two different ways. The first play a Legato top voice. You cannot play both voice and octave passage of Legato, at least one hand. Top voice connect smoothly (Legato) and the possible usually plays.
In particular, with the first chord pedal each group (sforzato chords) pressed works subsequent octave gradually in this section release with this solution. Assuming that your hand is big enough, I held (middle) 2, fingers play and top voice 5, 4, 3 finger use is recommended.
This is like the situation does not work. To play one voice among them, play the corridor extending Octave and also perfect Legato is impossible.
This leads the second solution. Both octave voice even try a clear explanation. In one voice alone, so that you can play other ' means play. Similarly, as a whole passage joint equally means you.
Chopin "grandpupil" Raul, von, and play the "octave" master's Etude, schematically 25, hear 10 Koczalski and he discovers that this is not exactly the. Select he notes all equally clearly, not line interruption the lets you connect a portable.
I recommended this passage from the first valid options are there in both solutions.
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